Newsposting to r.s.f. 25. jul. 1994 by David Glasser.

Here follows a brief treatise on some selected concepts and terms having to
do with foil fencing. It is not an exhaustive work. I have used it as a
handout for my University of Wisconsin foil classes.

David Glasser
glasser@facstaff.wisc.edu
I place the following text in the public domain:

Beginning Foil Fencing: Concepts and Terms

Lines
according to the French system of fencing, space above your bell guard is high line; space below is low line. For right-handers, the space to the right of their bell guard is outside line; space to the left of the guard is inside line. Thus we have four quadrants known as lines: high-outside, high-inside, low-outside, and low-inside. As the fencer's bell guard moves around his target surfaces may be found in different lines. For example, an octave invito with the bell guard next to the front thigh would leave the flank in that fencer's high-inside line. Should that fencer assume a lifted septime parry his flank would be in his low outside line.
Distances:
closed distance
The opposing fencer is so close that you must withdraw your weapon arm to bring the point of your foil to target surface.
short distance
You can reach your opponent's target surface by simply extending your arm.
middle distance
You can reach your opponent's target surface by lunging.
long distance
You can reach your opponent's target surface by advance-lunging, jump-lunging, or fleching.
out-of-distance
You are beyond long distance.
Critical distance
you are so close to your opponent that you can hit him with an attack before he can physically respond.
Analysis
the referee's account the of various fencing actions leading up to a hit in combat
"In line" or "point-in-line"
The weapon arm and weapon are extended and held pointing straight at the opponent's target surface. Such a passive threat must not be lept upon by that opponent. This passive threat must have been clearly established before any offensive action begun by the opponent if it is to be recognized as a "point-in-line."
The attack
the initial offensive action, wherin the attacker actively and progressively threatens his opponent with being hit; usually begun by extending the arm and penetrating across the fencing distance through the use of footwork. Attacks may be simple (executed in one period of fencing time),composed (including one or more feints), prepared (as preceded by a beat, a change of engagement, a pris de fer preparation, etc.), direct (into the same line as the engagement), or indirect (into a different line from that of the engagement).
The riposte
thrust you make immediately after parrying an opponent's attack.
A delayed riposte
when a riposte is not made immediately after the parry and the opponent begins a remise first, the remise of the attack will have priority of action.
The counter-riposte
the thrust made immediately after parrying your opponent's riposte.
The second counter-riposte
the thrust made immediately after parrying your opponent's counter-riposte, etc.
The remise
a second thrust you make right after your first thrust into that line fails to hit. Such an action should be analysed as a remise of the attack, a remise of the riposte, etc. It is possible to make a remise of any type of thrust. Remises are commonly used against opponents that do not riposte after parrying. The remiser does not appreciably withdraw his weapon arm in making his remise.
The counter-attack
thrusting against an attack instead of parrying it.
The derobement
avoiding your opponent's attempt to strike or take your blade (usually during his preparation to attack).
The trompement
made at the end of a feint, deceiving your opponent's parry and hitting him. Note that deceiving your opponent's parry involves completely avoiding it. No grazing contact may occur, else the feint is considered to have been parried.
A period of fencing time
the time it takes to execute a single fencing action (such as a parry, a remise, a thrust, etc.). This is relative time, not absolute time.
Cadence
the rhythm and sequence of a series of consecutive periods of fencing time. A skilled fencer will use changes in cadence to cause the opponent to mistime his defence. Cadence is also sometimes called "tempo."
In-fighting
fencing at closed distance.
Transitions (movements between parry positions)
Lateral
quarte to sixte, septime to octave, and vice-versa.
Vertical
octave to lifted sixte, octave to lifted septime and vice-versa.
Circular
the counter parries: contre de sixte, contre d'octave, etc.
Semi-circular
sixte to septime, octave to quarte, and vice-versa.
Transfers
moving the opponent's blade around with your bell guard and forte.
Prises de fer (either as a preparation or as a thrust)
taking the opponent's blade:
Opposition
deflecting the opponent's blade with your bell guard while thrusting at him.
Envelopment
transferring the opponent's blade around in circular fashion to the same position the envelopment began from.
Bind
transferring the opponent's blade around in semi-circular fashion to the diagonally opposite position. For example, the sixth bind thrust would begin with opposition septime and finish in opposition sixte. The fourth bind would begin in octave and finish in quarte.
Croise
normally made as a riposte which transfers the opponent's blade up or down to the vertically opposite position. Unlike binds, croises are numbered from their starting positions. Also called glide thrusts.
Engagement
Fencing with the blades crossed in a contact state. Fencing without engagements is fencing with "absence of blade."
Disengagement
changing lines by going around the opponent's bell guard.
Counter-disengagement
avoiding an opponent's change of engagement. Also deceiving an opponent's counter-parry.
Invito
inviting an attack by taking up an en garde in an exaggerated parry position.
Press
forcefully opening a closed engagement. Also invites a disengage.
Interception thrust
a strong thrust which interposes the bell guard or forte athwart the path of an opponent's disengagement. This action is usually made as a type of counter-offensive action. Also known as "temps d'interception."
Arret a bon temps
a counter-offensive action which hits the opponent before he initiates his final action. Thus it is a period of fencing time ahead and gains priority of action. Also known as a "stop-hit" or "coup d'arret."
Coup de temps
a counter-offensive thrust made with opposition which deflects an opponent's thrust. Also known confusingly as a "time-hit."
Attacking in second intention
attacking without the intention to hit immediately, but rather anticipating the opponent's riposte and setting up a dynamic counter-riposte action to deal with it.
Tension parry
resisting the pressure of an opponent's opposition thrust by forcing blade and arm into a strong opposition parry which through brute force closes the threatened line. Tension parries are vulnerable to timely disengagements and may also result in pulling a muscle in the fore-arm.
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Robert Link
link@enif.astro.indiana.edu
Last modified: Wed Feb 19 23:36:55 1997